Bernard Pomerance is an American playwright and poet whose best known work is the play The Elephant Man. Pomerance was born in Brooklyn, New York in 1940. He studied at the University of Chicago and moved to London in 1968.
His first play, High in Vietnam, Hot Damn was performed at the Interaction Theatre and directed by Roland Rees. Along with Rees and David Aukin, Pomerance helped to found the theatre company Foco Novo in 1972. The name was taken from Pomerance’s play of the same title, the company’s inaugural production.
For Foco Novo he adapted a new version of A Man’s A Man by Bertold Brecht and wrote The Elephant Man, which was originally produced in 1977. One of the most successful and regularly revived plays to come out of the London fringe theatre, The Elephant Man was performed in repertory at Britain’s National Theatre and several times off and on Broadway. In 1979 The Elephant Man won the Tony Award for Best play. It ran for 916 performances at The Booth Theatre and was made into a film for television with the original cast.
The Mel Brooks produced Hollywood film, The Elephant Man, directed by David Lynch was not an adaptation of the play as many people assume. Having used the title and drawn on much of the content of the play, the production company was successfully sued by Pomerance.
Pomerance was first inspired to write plays by the work of Eugene O’Neill, having seen the original production of Long Day’s Journey Into Night. A later influence was the British playwright John Arden. Several of Pomerance’s plays take as their subject politically weighted views of American history, such as Quantrill in Lawrence and Melons.
Pomerance was first married to the British writer Sally Belfrage, with whom he had two children. They divorced in 1983.[1]